The sound weapon is so effective because it does not produce its effect through the ear alone. Loud sounds are not only heard through the auditory duct, but also the skull itself functions as a resonance body and in turn transfers the air vibrations to the eardrum. Even higher sound levels and specific frequencies turn the body, with all its membranes around and between the organs, into a sound box. The somatic effect of sound is now also being used in pop music. In this context, Throbbing Gristle observes: If we look into the effects of low-level infra-sound, we find that 7 hz is an unpleasant experience, which leads to nausea and vomiting, that 9 hz can cause epileptic fits and 12 hz spontaneous intestinal movements, that 39-40 causes the pleasant buzz we feel tingling through the body when we listen to good music. With very low levels and long periods of exposure, 3 hz leads to depression, resentment and irritation. The experiment of the French professor Vladimir Gavreau, which was meant to prove that very low, inaudible tones, produced by a super whistle driven by a jet engine, could destroy human organs by vibration, is an operationalistic product of this scientific insight.