admobass
Junior Member
How is the stiffness of spiders determined? You can't tell by looks, can you? also adhesive on the coil are to keep the coil from unwinding? and/or to keep the layers of coil from touching each other? thanks in advance.
Stiffness I believe is determined by the deflection of the spider with a given mass. This is something you can only get from the manufacturer of the spider I think. But you would have to double check that with someone like Jacob from Sundown, Thilo from TC Sounds, or someone else that has a lot of knowledge on spider design.How is the stiffness of spiders determined? You can't tell by looks, can you? also adhesive on the coil are to keep the coil from unwinding? and/or to keep the layers of coil from touching each other? thanks in advance.
Well from what I understand how stiff the spiders are is going to depend on the design goals.cool i got adhesive and coil constraints, its seems strange that there isn't an adhesive rated for a higher temp that wouldn't fail. as far as spiders go, a wider diameter spider would give you more xmax, but the motor strength and cone/coil weight would really determine the stiffness and number of spiders?
Ahh thanks for the info on the coil winds being separated. Based off pictures I have seen of coils, the space between each winding must be incredibly small correct? Do you happen to know the usual space between them and the tolerances?Nice job, *Ace*. Someone has been reading. //content.invisioncic.com/y282845/emoticons/smile.gif.1ebc41e1811405b213edfc4622c41e27.gif
Only thing I feel the urge to comment on is the wire for the coil is actually coated and each strand is separate from one another (otherwise you would have issue with achieving a target DCR). That is then dipped and baked.
Ideally, there would be zero space between the wires. This can be achieved by using the edgewound process or by using hexagonal wire as Dynaudio and Morel do. A flat wound coil is the next best thing. As far as the other question, not sure. Has to be a calculator for that, I would imagine.Ahh thanks for the info on the coil winds being separated. Based off pictures I have seen of coils, the space between each winding must be incredibly small correct? Do you happen to know the usual space between them and the tolerances?
Also could you also visit my other thread about the wire length needed for a given gauge size to acquire a certain impedance? I have yet to get an answer on that one //content.invisioncic.com/y282845/emoticons/frown.gif.a3531fa0534503350665a1e957861287.gif
Ok cool. I'll have to do some more research on the edgewound process and the hexagonal wires, as I'm not to familiar with it at this point. Thanks again //content.invisioncic.com/y282845/emoticons/smile.gif.1ebc41e1811405b213edfc4622c41e27.gifIdeally, there would be zero space between the wires. This can be achieved by using the edgewound process or by using hexagonal wire as Dynaudio and Morel do. A flat wound coil is the next best thing. As far as the other question, not sure. Has to be a calculator for that, I would imagine.
Very good info! Thanks! //content.invisioncic.com/y282845/emoticons/smile.gif.1ebc41e1811405b213edfc4622c41e27.gif Perhaps you can answer my question about calculating resistance through a piece of copper wire?the wire used for coils is the same type of wire used for Stators and Armatures in electric motors. its copper core with an enamel coating to prevent shorts. the enamel is crazy tough, but if you arent careful you can chip it off and cause a short.
Matt
Nothing wrong with this, I just wanted to add a different perspective. Sometimes a driver may be able to cope with enormous thermal torture but will never need that amount of power to get it to reach Xmax/Xmech or do it's job in the desired enclosure/application. Sometimes it's by design, simply to allow the driver to operate completely free of thermal compression so that dynamic headroom is maximized and always 'on tap'. Many times I will put a driver in a larger enclosure to ensure this behavior. Having gobs of power on tap from an amplifier and having gobs of thermal capacity from a driver, but running both well beneath any of those limitations, gives you explosive dynamics during stressful passages in music...So long as you familiarize yourself with the limitations and you can remain disciplined with the volume (or set level limits accordingly) once you know them. This also assumes the driver will have the mechanical abilities to cope with this setup.1) How much power is the design meant to handle? If it's 2500 watts rms you're going to want a stiffer spider for mechanical power handling. You don't want your sub ripping it's spiders just from receiving the RMS wattage.